Everyday People Read online

  Everyday People

  Synopsis

  Film star Diana Danning hires private eye Clint Steele to find her son, Shane, after he vanishes like smoke in the night. LAPD Captain Hal Flynn suspects Shane disappeared by choice; until Clint and Diana receive a late-night call from Jud Tucker, the most under-the-radar serial killer since Patrick Bateman. Tucker demands five million dollars within twenty-four hours, or nobody will ever find Shane's body.

  With no time to lose, Clint turns to his former West Point barracks mate and best friend, Mars Hauser, to lend his cyber espionage and digital black ops skills to the case. As Clint, Mars, and Captain Flynn race against time to rescue Shane and bring Jud Tucker to justice, their greatest threat may be much closer than they know.

  Everyday People

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  Everyday People

  © 2020 By Louis Barr. All Rights Reserved.

  ISBN 13: 978-1-63555-697-1

  This Electronic Original Is Published By

  Bold Strokes Books, Inc.

  P.O. Box 249

  Valley Falls, NY 12185

  First Edition: May 2020

  This is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

  This book, or parts thereof, may not be reproduced in any form without permission.

  Credits

  Editors: Jerry L. Wheeler and Stacia Seaman

  Production Design: Stacia Seaman

  Cover Design by Jeanine Henning

  eBook Design by Toni Whitaker

  Author’s Note

  I exercised due diligence while researching this novel. I, however, took literary and dramatic liberties in many scenes involving technology, police procedures, common laws, et alia; thus, nothing in this novel should be considered real, accurate, or factual.

  For my silver fox. Long shall we run.

  Sic volvere Parcas.

  Virgil, Aeneid

  Prologue

  Retro Grunge Rage

  Shane Danning, Jugs & Mugs Saloon, Hollywood, Wednesday, April 25

  From the corner of my eye, I glimpsed a young couple sitting down at a nearby table. I swiveled my barstool for a better look.

  Cloaked in retro grunge rage, Doc Marten boredom, and Debbie Harry torment, the pair were unconventional to say the least. But it was a goddammed good-looking unconventional. I smiled at them.

  Retro Grunge One smirked.

  Retro Grunge Two frowned as if someone nearby farted.

  A closer look told me both were about one shot shy of shitfaced. The last thing I needed was one or both of them puking in my bed. Dismissing them with a headshake, I finished my beer, tipped the bartender, and headed out. Then I committed the unthinkable for a native Angeleno: I began walking home.

  I stopped at an intersection not far from my house. The city lights along the block ahead were out. Squinting into the shadows, I didn’t see anything unusual. I stepped off the curb.

  A van rolled past me as I crossed the street. The driver parked at the far end of the block and doused the headlights.

  I heard the van’s engine idling as I neared its rear bumper. Something primal stirred the fine hairs on the back of my neck. I stopped dead in my tracks.

  A tall man slid from behind the wheel and blocked my path. It had come down to fight or flight.

  The big sonofabitch moved fast in the dark. I saw the red dots on my chest a split second before I dropped to the sidewalk, convulsing from the Taser’s electrical pulses.

  Chapter One

  The First Rule

  Steele & Whitman Investigations, Sunset Strip, Monday, April 30

  I stood as she stepped into my office.

  On the big screen, Diana Danning had always looked stunning. But seeing her in person for the first time in years almost made me forget to breathe.

  Following our handshake, I told her to have a seat. She sat in one of the leather armchairs angled in front of my desk.

  I sat, woke my tablet, and said, “Ms. Danning, my business partner tells me that you’d like us to search for your son.”

  She said in her breathy voice, “Yes, please find Shane.” She paused, spoke: “And it’s Diana, please. I’ve worked with your family too many years for us to use titles.” She flashed her billion-watt smile. “So, Mr. Steele, do you go by Clinton or Clint?”

  I returned her smile. “Everyone calls me Clint.”

  I knew Diana Danning was in her mid-forties, yet she looked about a dozen years younger. But more important, she still radiated that indefinable presence that the cameras captured and the public adored.

  Diana learned early in her film career to roll with the punches. Her versatility, talent, and professionalism set new standards for leading ladies, netting her almost thirty years of starring roles, worldwide fame, multimillion-dollar product endorsements, seven Best Actress Oscar nominations (she won five), six ex-husbands, four Golden Globes, two Emmys, and probably a partridge in a palm tree at her “Birds Neighborhood” estate.

  And over the past thirty years, Diana had tried to keep her only child, Shane, out of the spotlights and far, far away from the media.

  But Shane’s Hollywood good looks, crooked smile, and continual antics made him the darling of tabloid reporters and photographers. They stalked him relentlessly.

  At the age of eleven, Shane took a joyride along Rodeo Drive in Diana’s Mercedes, sideswiping two police cruisers during a low-speed attempt to pull him over. A tabloid reporter captured it all on film.

  At sixteen, he mooned a paparazzo in a London park. Shane’s adolescent ass made the covers of tabloids across the United Kingdom and a few in the United States.

  At eighteen, Shane again became a media darling when electrical system failures forced him to crash land his twin-engine plane, leaving a path of destruction across the manicured lawns of three Bel Air estates. The starboard wing clipped a tree; the airframe burst into flames. Shane escaped through the cockpit’s emergency exit, dazed and bruised but uninjured.

  An international buzz ensued during his sophomore year at MIT after a classmate shot candid locker room pics of Shane and sold the full-frontal nude photos to a glossy women’s magazine. It took a team of lawyers, a preliminary injunction, and stacks of cash to retrieve the photos.

  After the MIT incident, Shane stayed out of the headlines for several years until five nights ago, when he vanished after leaving the Jugs & Mugs Saloon—a Hollywood dive popular with grad students, bohos, and young professionals. Once again, his name and face appeared in broadcast and print media around the world and all across the web.

  I saw Diana looking at the city nightscapes I’d photographed, framed, and hung on one wall. She studied each of the five poster-sized prints as though she might spot her son in one of them. Tears began to line her flawless face.

  A woman in tears breaks my private investigator’s cold black heart. I slid a box of Kleenex to the edge of my desk. She plucked two tissues and dabbed her signature violet eyes.

  I leaned back in my chair. “What do you think happened to Shane?”

  Diana shook her head. “I don’t know. There’s been no activity on his credit cards or bank accounts. He’s neither called me, nor his airline employer, nor any of his pilot colleagues. No one has made a ransom demand.”

 
I couldn’t say what happened to Shane either. He may have been kidnapped, but the ransom demand typically comes within twenty-four hours of the abduction. More likely, he met someone and went off on an extended “date.”

  “Did Shane mention having problems with something or someone?”

  “The police asked me that. The answer is no.”

  I tried another slant. “Has anything out of the ordinary happened to you over the past few weeks?”

  She looked at me as if my IQ had suddenly dropped below fifty.

  “Humor me.”

  She sighed. “Darling, you know out-of-the-ordinary things happen all the time when you’re living the Hollywood dream.”

  “Uh-huh. When did you last see or speak to Shane?”

  “He dropped by my dressing room on the morning of April twenty-fifth, about fifteen hours before he vanished.”

  I asked her what she and Shane had talked about.

  She gathered her thoughts, then said, “He thanked me again for the Porsche I gave him last month for his thirtieth birthday. He said he had a packed flight to Vegas that afternoon, would return to LAX that evening, and might stop for a beer before going home.” She paused, then added, “Oh, he talked about missing his ex.”

  I looked up from my notetaking. “Who’s the ex?”

  “Kristina Morgotti.”

  I held my poker face. “Do you mean Kristina Morgotti as in Hollywood Nights Kristina Morgotti?”

  “Yes.”

  I’d neither heard nor read anything about Shane Danning’s involvement with Tinsel Town’s Queen of Snark. I sometimes glanced at a Hollywood Nights gossip column or web post, but only when my Aunt Vona called on a rant about Morgotti’s latest batch of wild-assed suppositions and fabrications.

  I shifted in my chair. “Did your son and Morgotti part amicably?”

  “They did according to Shane.” She shrugged. “But who knows. I’m certain the cops questioned Morgotti at length.”

  With a water board, car battery, and electrodes, I thought. Most celebrities avoided Morgotti like a case of genital warts—until they needed their latest projects promoted.

  During the initial interview, I apply the First Rule of Investigating: Assume most of what your client tells you is bullshit. After listening for voice modulations, watching eye movements and other body language, I’d neither seen, nor heard, nor sensed a trace of dishonesty.

  Then again, she’d made millions and millions and millions and millions of dollars as a world class actress.

  What the fuck was I thinking? Her son, her only child, was missing. She was worried sick; same as I’d be if my son disappeared.

  “What do the cops say about Shane’s disappearance?”

  “They think Shane left on his own volition.”

  “Diana, the LAPD investigates around three hundred missing person reports every month. These cases are given investigative priority, placing a due diligence duty on the Missing Persons Unit.” I paused briefly, allowing Diana to reflect on those facts, then concluded, “Everyone with the MPU knows his or her job and does it well.”

  “You don’t want to look into what happened to my son.”

  She’d called that one right. The last thing I needed at this time was a high profile case.

  But Diana and my family had professional ties. I couldn’t tell her to get the hell out of my office and find another private detective.

  “What I’m saying is if the LAPD didn’t find evidence of foul play, you might want to wait for Shane to contact you before retaining my services.” I didn’t smile while I said, “I may come easy, but I don’t come cheap.”

  She raised her voice. “I do not give a shit about the cost or what the fucking cops think!”

  She pulled in a long breath and slowly let it out. “I’m sorry. I only want you to find Shane and bring him home.”

  And forget whatever it is Shane wants to do, I thought, but said, “Who’s the lead investigator?”

  She said in a voice that neither brightened nor bristled, “Harlan Flynn.”

  Given Diana’s Hollywood royalty status, it came as no surprise that one of the Police Administration Building’s elite investigators took the case from the Hollywood station. “I know Captain Flynn well.”

  She smiled. “I told Flynn I planned to hire you. He said you’re one of the best private eyes in Southern California when it comes to finding missing people.”

  With Captain Flynn’s glowing endorsement, I knew what that sneaky bastard had up his sleeve. As a private investigator, I could take actions that would cost Flynn his gold shield, gun, and gonads. And he doubtless wanted to keep his gonads, having grown attached to them.

  My dark blues directly met Diana’s beautiful violet eyes. “I’ll search for Shane. May I take a look inside your son’s house?”

  She opened her bag and set a key on my desk. I added Shane’s address to my tablet notes.

  I saw it had gotten late in the day. “I’ll talk with Captain Flynn first thing tomorrow morning.”

  The breathy voice returned. “You’ll call me the moment you learn something.”

  “You can count on it.” I pulled out a business card and printed my cell and home landline numbers on the back. “Please call, day or night, when Shane or anyone else involved in his disappearance contacts you.”

  “I shall.”

  She tucked my card into one of her bag’s array of secret hidey holes, flapped pouches with snaps, zippered pockets, and probably a goddammed trap door. I wondered how the hell women ever found anything in those purses. It had to be a gal thing.

  She stood.

  I stood and walked her to my office door.

  She turned, studied my face, and said, “You look so much like your father.”

  I’d often heard I looked like Liam Steele, my movie director father. But I had a more muscular build and stood six inches taller than Dad. My West Point football teammates nicknamed me Moose. But that’s locker room banter.

  Diana thanked me.

  Then she stood on the tips of her toes and kissed me.

  Chapter Two

  Big Papa Phallus

  Clint, Steele & Whitman Investigations, Monday, April 30

  I watched Diana gracefully walk down the hall in heels that would’ve brought me a face-to-floor meeting with my first step. It had to be another gal thing.

  I wouldn’t mind standing at Diana’s door with a dozen roses—make that two dozen—and a dinner reservation at one of L.A.’s tony restaurants du jour.

  I love and revere women. Their smiles, intelligence, feminine mystique, curves, voices, grace, inner strength, and eyes always capture my attention.

  But I also appreciate the male form and men’s sexuality.

  I’m not gay. I’m not straight either. I’m bi. And I’m not claiming to be bisexual to downplay my attraction to men. I was happily married to a woman, and throughout those years, I remained bisexual, but a monogamous husband. Sierra, my late wife, was and would always be the female love of my life.

  Anyone taking the time to JFGI (Just Fucking Google It) will learn there’s a long list of sexuality options beyond LGBTQA, and new choices seem to come out of Seattle monthly.

  The never-debunked Kinsey Reports (“Sexual Behavior in the Human Male,” 1948; and “Sexual Behavior in the Human Female,” 1953) found that only ten percent of the population is purely heterosexual, only ten percent of the population is purely homosexual, and the other eighty percent of us might, at some point or points in our lives, try or consider trying other sexuality options. (Kinsey defined sexuality as either physical contact, or strictly psychological, such as sexual attraction, desire, and/or fantasy.) Simply put, queer is more predominant than most people care to recognize.

  Hope Whitman, my business partner, office manager, explosives expert, and knower of all things great and small, charged into my office, shoving the door shut with one of her sensible heels. Then she barreled toward me like the Tasmanian Devil.

  �
�’Sup?”

  Hope scowled. “Some might find that red gloss on your lips quite fetching. You ask me, ya look like you rushed leaving clown school today.”

  She snapped a tissue from the box on my desk and thrust it at me—the tissue, not my desk. “Are your privates smeared red too?”

  I wiped away the remnants of Diana’s kiss. “Did you want to discuss something with me other than my lip gloss and the color of my boy parts?”

  Hope let out a long breath. “A stranger came in shortly after I sent Diana Danning to your office. He wants to speak with you. I got his ass parked in reception.”

  Hope and I met with prospective clients by appointment only. We then cherry-picked the cases we wanted to take. I met Hope’s eyes. “Did this stranger give you a name?”

  “Says he’s Scott Davidson.”

  My mind raced, trying to place him, but I drew a blank. “What does Davidson want?”

  Hope unloosed one of her prissy New Englander’s sniffs. “I asked him. He told me it’s a personal matter, and I should mind my own goddammed business.”

  Steele & Whitman’s files were sometimes subpoenaed. And it wasn’t unusual for either Hope or me to get slapped with a summons to testify in court about a closed case. “Does Davidson look like a process server?”

  “Maybe, but he reminds me of a dime-store cowboy. My gut tells me he’s up to no good.”

  Seventy-year-old Hope Whitman had pulled the plug from the LAPD after riding in patrol cars for twenty years, followed by five years on the bomb squad and her last five as the police chief’s administrative assistant.

  She kept a wheel gun in her desk. Threaten her, and she could go all Ma Barker (JFGI) on your ass. Scott Davidson should consider himself lucky he hadn’t gotten gut shot.

  Hope has lived with Stella, her wife, for over thirty years. Besides keeping Hope from shit-fitting herself into a stroke, Stella works as my son’s nanny and home teacher. I’d figured anyone who could bring Hope down from a rant could manage my rambunctious six-year-old son.